Osherowitch and Rumshinsky on the Piety of Regina Prager
Vos flist durkhn oder: A conversation with playwright Mikhl Yashinsky on his new play
How I Got Five Thousand Dollars from a Theatre Customer
Khonen in Drag: Cross-Dressing in Two Productions of The Dybbuk during the 1920s (Plus, a Review of One of These Productions)
A Timeline of Yiddish Drag
The Bird of COVID
The Menashe Skulnik Story in the Forward
Why Wikidata is Good for Yiddish Theatre Research
Wikidata, Yiddish Theatre Posters, and the World
When Corona Came to The Party
An Interview with Ellen Perecman
How Two Nudniks Saved History from the Fire
Teaching with the Digital Yiddish Theatre Project
“S’iz nisht dos vos amol iz geven”: Max Perlman (1909-1985)
Biz 120: The Yiddish Artists and Friends Actors’ Club at 85
Interview with Joshua Horowitz on the Orchestration of Bas-Sheve
Interview: Alicia Svigals and Donald Sosin on Their Film Score for The Ancient Law
Magic and Melody Delight in a Yiddish Fairytale Reborn
Theatre: A Sketch
An Interview with Daniel Galay
“A Piquant Curiosity”: The Gender-Bending Drama Yo a man, nit a man
Grand Opera for Yiddish Speakers in Early Twentieth-Century America! Who Knew?!
Why Does Muni Weisenfreund Play “Shund”?
Hatuey: Memory of Fire—An Interview
A Yiddish Poet, a Cuban Revolutionary, and a Historical Legend Walk Into a Bar: A Review of Hatuey: Memory of Fire
How Jewish Can One Fiddler Be?: Reflections on the Folksbiene’s Fidler afn dakh
A Yiddish Homecoming for Fiddler on the Roof
Interview: Yiddish Fiddler on the Roof Actor Rachel Zatcoff
A fidler afn dakh: Fiddler on the Roof in Yiddish
Yiddish Theatre Stars & Matinee Girls on the Move
Curtain Falls on the Sunshine Theatre
Revival and Homage Productions of Yiddish Theatre
Goodbye, Columbia: A Yiddish Playwright and the German Stage
Something Special for the High Holidays
The Grand Street Theatre: A Modern Playhouse Built for Old-fashioned Shund
Scoring Indecent
The Stones Outtake
Yiddish Drama on the Broadway Stage
“I would have run away, but there was only one path for me - onto the stage”: Bertha Kalich at the Romanian National Theatre, Part II
10 Things You Need to Know About God of Vengeance
Sholem Asch: God of Vengeance is Not an Immoral Play
Brothel Intrigue, with a Modern Twist: Got fun nekome at the New Yiddish Rep
Mending The Torn Curtain: A Documentary Film About the First International Yiddish Theatre Festival
London - New York, or The Great British Yiddish Theatre Brain Drain
A Yiddish Musical That Never Was
When History Belonged to the Opera Writers
FYVUSH
How I Rediscovered Di goldene kale (The Golden Bride)
Lekoved pesach
Should a Married Woman Visit a Yiddish Music Hall?
Uncle Ed, Yiddish Theatre Impresario
A Tribute to Sonia Lizaron
Boris Thomashefsky and Aaron Lebedeff
Interview: Indecent Playwright Paula Vogel and Director Rebecca Taichman
Six Degrees of Yankev Blayfer
Yiddish Lives, Smirks, and Breathes: Restoring Community Theatre into Yiddish History
A Lost Film, Found
Audiences Are Idiots
Matzah and Melodrama: Nahum Stutchkoff’s Yiddish Song Lyrics
Goldfaden’s Rules for Yiddish Actors
Ola Lillith’s Edgy, Avant-Garde Yiddish Cabaret
The Talented Mr Rotblat and His Micrographic Tribute to Jacob Gordin
Yiddish Theatre Posters of the 1890s
The Chasidim Ball
Advice from Sidney Lumet’s Yiddish Actor Dad
Khenkin, Viktor
Actor
1883–1953