Dystopia on the Verge: Or Why a 1934 Yiddish Play About Charlie Chaplin Still Matters
The World of Sara Levy
Yiddish Theatre in Buenos Aires Between the Two World Wars
“More Argentine than Martín Fierro”: Jevel Katz’s Debut in Buenos Aires, 1930
Henry James: The Yiddish Stage in The American Scene
Why Does Muni Weisenfreund Play “Shund”?
But Enough About Strindberg; Let’s Talk About Goldenberg!
Interview: A New Translation and a New Press
Hatuey: Memory of Fire—An Interview
A Yiddish Poet, a Cuban Revolutionary, and a Historical Legend Walk Into a Bar: A Review of Hatuey: Memory of Fire
Found in Translation: Hatuey, Cuba, and the Jews
Avrom Fishzon, or the Berdichev Sheherazad