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Dashiell Hammett, Lillian Hellman Portrait of Dashiell Hammett, with label identifying it as coming from "Ohlinger's Movie Store in New York."
Promotional spread for American Masters on PBS, 1999. Advertises episodes of the show for Dashiell Hammett and Lillian Hellman, including an image of them an image of them together ca. 1950.
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The Lodger: A Story of the London Fog (1927) Image of Ivor Novello in The Lodger. Red markings for cropping center Novello in the shot of him looking up the staircase.
On the back: Faint stamped label from Museum of Modern Art/Film Stills Archive. Label on back made from stationery/envelope from Loyola University. Rights permission stamp and multiple cataloguing marks on top and bottom right corners.
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Gene Phillips, David Lean Biography Bookmark Cardstock bookmark, featuring an illustration of a No. 2 pencil, title reading:
"GENE PHILLIPS
Book
Beyond the Epic:
The Life & Films of
DAVID LEAN
University Press of
Kentucky
Lexington, KY"
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The Reivers (1969) Will Geer and Mitch Vogel in The Reivers.
On the back: faint stamp reading "Please credit as follows: Museum of Modern Art/Film Stills Archive."
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The Killers (1946) Virginia Christine, Burt Lancaster, and Ava Gardner in The Killers.
On the back: note included reading "One of Hemingway's favorite films of all those based on his work." National Film Archive stamp scribbled out.
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A High Wind in Jamaica (1965) Anthony Quinn in A High Wind in Jamaica. Turned away from camera possibly Brian Phelan. Cut off on right side is James Coburn. B&W.
On the back: misidentified as "The River." Along edge reads "[ ] not in the finished film."
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Laughing Anne (1953) Robert Harris and Wendell Corey in Laughing Anne.
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The Long Hot Summer (1958) Paul Newman and Orson Welles in The Long Hot Summer.
On the back: faint stamp reading "Please credit as follows: Museum of Modern Art/Film Stills Archive."
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The Stranger (1946) Orson Welles (left) with a gargoyle atop a clock tower in The Stranger.
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F for Fake (1973) Orson Welles in F for Fake.
Caption below reads: "13th NEW YORK FILM FESTIVAL / F FOR FATE[sic] - Director Orson Welles, playing himself, in a scene from his film."
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A Place in the Sun (1951) Montgomery Clift and Shelley Winters in A Place in the Sun.
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La Chienne (1931) Michel Simon leans over Janie Marese in La Chienne.
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Wuthering Heights (1939), Olivier, Oberon Laurence Olivier and Merle Oberon as young Heathcliff and Catherine on the English moors.
On the back: "extra still, no charge"
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Wuthering Heights (1939), Olivier & Oberon Laurence Olivier leans over Merle Oberon in Wuthering Heights
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Touch of Evil (1958), Dietrich Marlene Dietrich in Touch of Evil.
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Sanctuary (1961) Lee Remick and Yves Montand in Sanctuary.
On the back: "Lee Remick v Ives[sic] Montand in Sanctuary based on both Sanctuary and Requiem for a Nun."
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The Killers (1964), Marvin Lee Marvin in The Killers, brandishing a gun with a silencer.
On the back: "Lee Marvin the remake of The Killers, thought to be [ ]dy to be prem[ ] on TV as the first made-for-TV movie" (handwritten, piece of tape has since fallen off which had been written over, phrase "as the first made-for" crossed out and reworded), stamp from National Film Archive (scribbled out), label "The Killers: Lee Marvin" (typed, over National Film Archive stamp), numerous number markings in a variety of pen colors.
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Giant (1956), Dean A mustachioed James Dean in Giant, holding what appears to be a microphone.
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Giant (1956), Dean & Taylor James Dean and Elizabeth Taylor in Giant. B&W
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The Dain Curse (1978) (Pictured L-R) Brent Spiner and James Coburn in the TV miniseries The Dain Curse.
Note: The caption reads "James Coburn portrays Hamilton Nash, star private eye in the DAIN CURSE, based on the Dashiell Hammett Novel." The caption continues, but is crossed out, reading: "The DAIN CURSE carries a suggested retail of $59.95 on VHS and Beta video cassettes and $22.95 on CED videodisc."
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The Little Foxes (1945) (Pictured L-R) Herbert Marshall, Teresa Wright, and Bette Davis in The Little Foxes.
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Negative of Signed Graham Greene Portrait Negative image of Graham Greene, seated. Above him, in cursive is description "All best wishes from your 'subject': Graham Greene."
See also: envelope containing negative, sent to Loyola with order marked "G. Greene" and dated 1-26-82.
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For Whom the Bell Tolls (1943) Still of Gary Cooper and Ingrid Bergman in For Whom the Bell Tolls.
On the back: "Famous sleeping bag scene" crossed out, below it "Famous sleeping bag pose / Gary Cooper and Ingrid Bergman / For Whom the Bell Tolls"
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Hammett (1982) Frederic Forrest in Hammett
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Evelyn Waugh's Officers, Gentlemen, and Rogues (Cover & Negative) Paperback cover of Gene Phillips' biography on Evelyn Waugh and his fiction, along with a negative of the portrait of Waugh featured on that cover.