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F for Fake (1973) Orson Welles in F for Fake.
Caption below reads: "13th NEW YORK FILM FESTIVAL / F FOR FATE[sic] - Director Orson Welles, playing himself, in a scene from his film."
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A Place in the Sun (1951) Montgomery Clift and Shelley Winters in A Place in the Sun.
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La Chienne (1931) Michel Simon leans over Janie Marese in La Chienne.
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Wuthering Heights (1939), Olivier, Oberon Laurence Olivier and Merle Oberon as young Heathcliff and Catherine on the English moors.
On the back: "extra still, no charge"
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Wuthering Heights (1939), Olivier & Oberon Laurence Olivier leans over Merle Oberon in Wuthering Heights
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Touch of Evil (1958), Dietrich Marlene Dietrich in Touch of Evil.
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Sanctuary (1961) Lee Remick and Yves Montand in Sanctuary.
On the back: "Lee Remick v Ives[sic] Montand in Sanctuary based on both Sanctuary and Requiem for a Nun."
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The Killers (1964), Marvin Lee Marvin in The Killers, brandishing a gun with a silencer.
On the back: "Lee Marvin the remake of The Killers, thought to be [ ]dy to be prem[ ] on TV as the first made-for-TV movie" (handwritten, piece of tape has since fallen off which had been written over, phrase "as the first made-for" crossed out and reworded), stamp from National Film Archive (scribbled out), label "The Killers: Lee Marvin" (typed, over National Film Archive stamp), numerous number markings in a variety of pen colors.
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Giant (1956), Dean A mustachioed James Dean in Giant, holding what appears to be a microphone.
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Giant (1956), Dean & Taylor James Dean and Elizabeth Taylor in Giant. B&W
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The Dain Curse (1978) (Pictured L-R) Brent Spiner and James Coburn in the TV miniseries The Dain Curse.
Note: The caption reads "James Coburn portrays Hamilton Nash, star private eye in the DAIN CURSE, based on the Dashiell Hammett Novel." The caption continues, but is crossed out, reading: "The DAIN CURSE carries a suggested retail of $59.95 on VHS and Beta video cassettes and $22.95 on CED videodisc."
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The Little Foxes (1945) (Pictured L-R) Herbert Marshall, Teresa Wright, and Bette Davis in The Little Foxes.
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Negative of Signed Graham Greene Portrait Negative image of Graham Greene, seated. Above him, in cursive is description "All best wishes from your 'subject': Graham Greene."
See also: envelope containing negative, sent to Loyola with order marked "G. Greene" and dated 1-26-82.
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For Whom the Bell Tolls (1943) Still of Gary Cooper and Ingrid Bergman in For Whom the Bell Tolls.
On the back: "Famous sleeping bag scene" crossed out, below it "Famous sleeping bag pose / Gary Cooper and Ingrid Bergman / For Whom the Bell Tolls"
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Hammett (1982) Frederic Forrest in Hammett
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Evelyn Waugh's Officers, Gentlemen, and Rogues (Cover & Negative) Paperback cover of Gene Phillips' biography on Evelyn Waugh and his fiction, along with a negative of the portrait of Waugh featured on that cover.
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Ben-Hur (1959) Charlton Heston in Ben-Hur (1959).
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Touch of Evil (1958) Charlton Heston and Orson Welles in Touch of Evil (1958).
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Confidential Agent (1945) Charles Boyer and Wanda Hendrix in Confidential Agent (1945).
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Funny Girl (1968) Barbara Streisand and Omar Sharif in Funny Girl.
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T.E. Lawrence Seated in Arabic Dress B&W photograph of Thomas Edward Lawrence, or Lawrence of Arabia, in Middle Eastern style clothing. On the back there is a label identifying this photo as titled "T.E. Lawrence in Arabic Dress," part of the Harry Ransom Humanities Research Center at UT-Austin, and loaned to Phillips. Phillips includes a handwritten note identifying the photo as "a very rare photo of T.E. Lawrence, taken during the Arab Revolt."
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Fitzgerald Family Portrait B&W photograph of Fitzgerald family. Young Frances Scott "Scottie" Fitzgerald standing next to Zelda, seated, with Francis Scott standing behind both of them. Large, small, and negative of same image.
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Rex Harrison Portrait B&W photograph of Rex Harrison (label on bottom right.) On the back, a handwritten note describes the photo as associated with the film Major Barbara (1941). Beneath it, Phillips has written: "Lean was uncredited co-director of the film." Top right corner cut.
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Norman Jewison and John Ford B&W photograph of Norman Jewison and John Ford. On the back is a handwritten note that identifies the subjects and the date as November 1972.
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Ken Russell Portrait Young Ken Russell with a photography camera.