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Stanley Kubrick with Viewfinder Photograph of Stanley Kubrick looking through a viewfinder. Description scribbled out with marker.
On the back: Handwritten label "Stanley Kubrick directs --" with "Dr. Strangelove" scribbled out. Suggests this may or may not be from filming Strangelove. Photo appears to be circa late-1950s early-1960s.
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Stanley Kubrick with Camera Stanley Kubrick directing behind a film camera.
On the back: Handwritten label "Stanley Kubrick directing." Previous labels obscured with White-Out.
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Carol Reed at the Academy Awards Photograph of Carol Reed holding his Oscar for Oliver! at 1969 Academy Awards.
On the back: Handwritten label "Sir Carol Reed" with description: "Award winning director of Outcast of the Islands." Note: this is a misattribution, as Reed's Oscar is for Best Director for Oliver! in 1969; Outcast of the Islands was nominated for best film and best British film at the 1953 BAFTA awards.
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Cukor & Hepburn, Lincoln Center Tribute 1978 Candid photograph of George Cukor and Katharine Hepburn as they "reminisce" [see description on back].
On the back: handwritten label of "Lincoln Center Tribute 1978." Below, a handwritten description of Cukor and Hepburn reminiscing at a tribute to the Lincoln Center, held by Film Society of Lincoln Center in New York in 1978. States it is "honoring his life achievement as a film maker."
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Lloyd, Chaplin, and Fairbanks Group Photo Photograph of Harold Lloyd, Charlie Chaplin, and Douglas Fairbanks seated on a grass lawn.
On the back: Handwritten label identifies subjects and specifies that the photo was taken on the Lloyd estate. Below that: "I visited Sept. 9, 1973"
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Dashiell Hammett, Lillian Hellman Portrait of Dashiell Hammett, with label identifying it as coming from "Ohlinger's Movie Store in New York."
Promotional spread for American Masters on PBS, 1999. Advertises episodes of the show for Dashiell Hammett and Lillian Hellman, including an image of them an image of them together ca. 1950.
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The Lodger: A Story of the London Fog (1927) Image of Ivor Novello in The Lodger. Red markings for cropping center Novello in the shot of him looking up the staircase.
On the back: Faint stamped label from Museum of Modern Art/Film Stills Archive. Label on back made from stationery/envelope from Loyola University. Rights permission stamp and multiple cataloguing marks on top and bottom right corners.
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Gene Phillips, David Lean Biography Bookmark Cardstock bookmark, featuring an illustration of a No. 2 pencil, title reading:
"GENE PHILLIPS
Book
Beyond the Epic:
The Life & Films of
DAVID LEAN
University Press of
Kentucky
Lexington, KY"
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The Reivers (1969) Will Geer and Mitch Vogel in The Reivers.
On the back: faint stamp reading "Please credit as follows: Museum of Modern Art/Film Stills Archive."
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The Killers (1946) Virginia Christine, Burt Lancaster, and Ava Gardner in The Killers.
On the back: note included reading "One of Hemingway's favorite films of all those based on his work." National Film Archive stamp scribbled out.
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A High Wind in Jamaica (1965) Anthony Quinn in A High Wind in Jamaica. Turned away from camera possibly Brian Phelan. Cut off on right side is James Coburn. B&W.
On the back: misidentified as "The River." Along edge reads "[ ] not in the finished film."
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Laughing Anne (1953) Robert Harris and Wendell Corey in Laughing Anne.
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The Long Hot Summer (1958) Paul Newman and Orson Welles in The Long Hot Summer.
On the back: faint stamp reading "Please credit as follows: Museum of Modern Art/Film Stills Archive."
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The Stranger (1946) Orson Welles (left) with a gargoyle atop a clock tower in The Stranger.
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F for Fake (1973) Orson Welles in F for Fake.
Caption below reads: "13th NEW YORK FILM FESTIVAL / F FOR FATE[sic] - Director Orson Welles, playing himself, in a scene from his film."
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A Place in the Sun (1951) Montgomery Clift and Shelley Winters in A Place in the Sun.
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La Chienne (1931) Michel Simon leans over Janie Marese in La Chienne.
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Wuthering Heights (1939), Olivier, Oberon Laurence Olivier and Merle Oberon as young Heathcliff and Catherine on the English moors.
On the back: "extra still, no charge"
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Wuthering Heights (1939), Olivier & Oberon Laurence Olivier leans over Merle Oberon in Wuthering Heights
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Touch of Evil (1958), Dietrich Marlene Dietrich in Touch of Evil.
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Sanctuary (1961) Lee Remick and Yves Montand in Sanctuary.
On the back: "Lee Remick v Ives[sic] Montand in Sanctuary based on both Sanctuary and Requiem for a Nun."
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The Killers (1964), Marvin Lee Marvin in The Killers, brandishing a gun with a silencer.
On the back: "Lee Marvin the remake of The Killers, thought to be [ ]dy to be prem[ ] on TV as the first made-for-TV movie" (handwritten, piece of tape has since fallen off which had been written over, phrase "as the first made-for" crossed out and reworded), stamp from National Film Archive (scribbled out), label "The Killers: Lee Marvin" (typed, over National Film Archive stamp), numerous number markings in a variety of pen colors.
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Giant (1956), Dean A mustachioed James Dean in Giant, holding what appears to be a microphone.
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Giant (1956), Dean & Taylor James Dean and Elizabeth Taylor in Giant. B&W
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The Dain Curse (1978) (Pictured L-R) Brent Spiner and James Coburn in the TV miniseries The Dain Curse.
Note: The caption reads "James Coburn portrays Hamilton Nash, star private eye in the DAIN CURSE, based on the Dashiell Hammett Novel." The caption continues, but is crossed out, reading: "The DAIN CURSE carries a suggested retail of $59.95 on VHS and Beta video cassettes and $22.95 on CED videodisc."