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A Man for All Seasons (1966): Orson Welles Cardinal Wolsey (Welles) looks up from a manuscript, quill pen in hand.
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The Nun's Story (1959): Audrey Hepburn & Peter Finch Front: Sister Luke (Hepburn) holds a hand to her forehead as Dr. Fortunati (Finch) watches her.
Back: Stamp for Gene Phillips. Handwritten: "'The Nun's Story,'" and some kind of blemish.
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From Here to Eternity (1953): Montgomery Clift's Bugle Solo Front: Private Robert E. Lee "Prew" Prewitt (Clift) plays a jazzy bugle over some drinks.
Back: Handwritten "From Here to Eternity" and stamp for Gene Phillips.
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Gary Cooper in High Noon (1952) Front: Will Kane (Cooper) brandishes his pistol inside a stable. He appears to have been in a fight due to a scrape on his face and a bloodied, torn shirt.
Back: Handwritten in pencil: "'High Noon'" and stamp for Gene Phillips.
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Gary Cooper & Lon Chaney Jr. in High Noon (1952) Front: Martin Howe (Chaney; left, seated) looks on as Marshall Will Kane (Cooper; center) watches him. A woman is seated in the background, looking out the window. Below, production information is listed for High Noon.
Back: Handwritten in pencil: "'High Noon' (extra still -- no charge)"
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"Hunter... And Hunted!" Van Heflin & Robert Ryan in Act of Violence (1948) Front: Frank R. Enley (Heflin) and Joe Parkson (Ryan) stand over the city at night.
Back: Typewritten description:
"HUNTER... AND HUNTED! Van Heflin and Robert Ryan co-star in Metro-Goldwyn-Mayer's gripping "Act of Violence," tensely emotional story of a man's flight from conscience and a mistake in the past. Filmed in and around Los Angeles in the realistic semi-documentary technique, "Act of Violence" has an outstanding cast including Janet Leigh, Mary Astor and Phyllis Thaxter. Fred ("The Search") Zinnemann directed, William H. Wright produced.
S1428-35, 26."
Below, handwritten: "June 1949."
Stamp for Gene Phillips. Handwritten markings, including handwritten "Zinnemann" and crossed-out "#2 p. 4 Manuscript."
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Vanessa Redgrave & Jane Fonda in Julia (1977) Front: Image of Lillian Hellman (Fonda) and Julia (Redgrave) walk near the university of Oxford.
Back: Label, handwritten "extra still, no charge."
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The Long Goodbye (1973): Production Shot Front: Overhead shot of cast during production, including Eileen Wade (Nina van Pallandt), Philip Marlowe (Elliot Gould), and Roger Wade (Sterling Hayden.)
Back: Handwritten description, "The Long Goodbye production."
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The Long Goodbye (1973) Front: Eileen Wade (Nina van Pallandt) and Philip Marlowe (Elliot Gould) stand over Roger Wade (Sterling Hayden) as he sleeps at his desk.
Back: Handwritten description, "The Long Goodbye," below it "(extra still -- no charge)."
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Tomorrow (1972): Fentry and Infant Front: Jackson Fentry (Robert Duvall) crouches over the infant Jackson's crib.
Back: Stamp for Gene Phillips. Handwritten description, "Tomorrow," "Robert Duvall." Below is the word "Cinemabilia" handwritten.
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James Caan Press Photo Press photo, closeup of James Caan from Honeymoon in Vegas (1992.)
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Michel Simon Photograph, Signed Front: Michel Simon waving to the camera.
Back: Signatures of Michel Simon and (likely) Alain Cohen. Handwritten description in black ink: "The Old Man and the Boy (The Two of Us." In blue ink, "Boy" is scratched out and replaced with "Child." Below, handwritten in black ink : "Berlin, June 27, 1967."
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Lord Jim (1965): Brooks Directing Front: Richard Brooks (right) directing one of The General's workers, possibly Ric Young as Malay.
Back: Stamp for the Museum of Modern Art/Film Stills Archive. Handwritten description "Lord Jim."
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Three Comrades (1938) Front: Silhouettes of the three comrades, Erich Lohkamp (Robert Taylor), Otto Koster (Franchot Tone), and Gottfried Lenz (Robert Young), and Patricia Hollmann (Margaret Sullivan) at the top of a hill.
Back: Stamps for the Museum of Modern Art/Film Stills Archive and Gene Phillips. Handwritten description "Three Comrades"
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The Brasher Doubloon (1947) Philip Marlowe (George Montgomery) stands over Mrs. Murdock (Florence Bates, seated) as she thinks.
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Face to Face (1952) Front: James Mason in Naval uniform in Face to Face (1952.)
Back: Stamp for Gene Phillips. Handwritten description in pencil: "James Mason in The Secret Sharer segment of Face to Face." Below is a handwritten description which is difficult to decipher.
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The Great Gatsby (1926) Front: Daisy Buchanan (Lois Wilson) and Jay Gatsby (Warner Baxter) stand opposite each other in a sitting room. Nick Carraway (Neil Hamilton) has his back to the camera as he leaves the room.
Back: Stamps for the Museum of Modern Art/Film Stills Archive and Gene Phillips. Handwritten description: "The Great Gatsby (1926)," "Lois Wilson/Warner Baxter."
Note: At time of cataloguing (Jan. 2025), this film is considered lost.
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The Last Time I Saw Paris (1954) Front: Charles Willis (Van Johnson) and his wife, Helen Ellswirth (Elizabeth Taylor) talk on the sofa while their daughter Vicki (Sandy Descher) sleeps in her father's lap.
Back: Stamps for the Museum of Modern Art/Film Stills Archive and Gene Phillips. Handwritten in ink the description: "The Last Time I Saw Paris."
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Lord Jim (1965): O'Toole Front: Closeup of Peter O'Toole as Lord Jim.
Back: Stamps for the Museum of Modern Art/Film Stills Archive and Gene Phillips. Handwritten description: "Lord Jim."
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Song of the Tin Man (1947) Front: Nick Charles (William Powell) takes a phone call while Nora Charles (Myrna Loy) looks on.
Back: Handwritten description in ink, "Song of the Thin Man." In top left corner, also handwritten in ink, "Return to Gene Phillips."
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The Great Gatsby (1974) Front: Mia Farrow and Robert Redford, as Daisy Buchanan and Jay Gatsby, embrace. Below is the label for "The Great Gatsby" and information regarding printing rights. Below that is the phrase "Restricted to U.S. use only. Not for resale or syndication" crossed out in marker.
Back: Handwritten in pencil is the description: "Great Gatsby (1974)," "Mia Farrow/Robert Redford."
NOTE: image is adhered to a thin sheet of cardboard with tape and some sort of glue.
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The Breaking Point: Serenade Front: John Garfield looks on as Patricia Neal is serenaded by a mariachi band. Below, a Warner Brothers description for The Breaking Point (1950.)
Back: Stamps for the Museum of Modern Art/Film Stills Archive as well as Gene Phillips' own. Handwritten in ink is the description "John Garfield + Patricia Neal," "The Breaking Point," and "The remake of To Have & Have Not."
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Murder, My Sweet: Attack Dick Powell (left) as Philip Marlowe is knocked out. Mike Mazurki (center) as Moose Malloy and John Indrisano (right, uncredited) as a chauffeur stand over him, holding handguns.
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Murder, My Sweet: Fisticuffs (L-R) Otto Kruger, Mike Mazurki, and Dick Powell face off. Mazurki and Powell have each other by the collars while Kruger points a handgun at them.
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Faulkner and Crew William Faulkner (left, seated) in conversation with a film crew